Ein Höhepunkt der Zusammenarbeit von Kurt Sanderling und des Berliner Sinfonie-Orchesters ist ihr geradezu monumentaler Brahms-Zyklus, der jetzt in einer Neuausgabe erhältlich ist.
This book offers a new interpretation of early Abbasid palaces as "impermanent monuments." Synthesizing an array of sources, ranging from archaeological finds and classical Arabic literature to modern studies on the social and intellectual history of Islamic civilization, it reveals ways in which the Abbasid court designed, decorated, presented, and documented its palaces to leave lasting legacies of imperial power with what were considered at the time to be impermanent structures. In doing so, it sheds light on an architectural concept endemic to early Islamic Iraq that challenges popular notions of the monument as permanent and unchanging. The main palace of Samarra, known as the Dar al-Khilafa, serves as the primary case study for this phenomenon, and the book includes an inventory of some of the fragments of architectural ornament found in this palace during the excavations of Ernst Herzfeld.
-Contemporary art from the Arab world-New perspectives on gernder and social power dynamics-Exploration of myths and fiction in the age of fake news
-Contemporary art from the Arab world-New perspectives on gernder and social power dynamics-Exploration of myths and fiction in the age of fake news