Beliebte Kompositionen in leichten bis mittelschweren Bearbeitungen für Gitarre von Volker Luft.
Beethoven auf der Gitarre zu spielen, ist ungewöhnlich. Aber wenn Auszüge aus "Für Elise", der "Mondscheinsonate" etc. gitarristisch so geschickt und gut klingend eingerichtet werden, ist das eine willkommene Bereicherung nicht nur für "Klassiker".
This volume contains the Sonatas Op. 78 -111. This new edition is based on all the sources dateable to the composer's lifetime, supplemented by significant information taken from early reprints, with a minimum of editorial intervention modelled on Beethoven's contemporary practice.
Instrumentation:
piano
op. 78 - op. 111
In time for Beethoven's anniversary, Schott presents a new collection of his most popular works for piano. The successful author Hans-Günter Heumann has compiled 30 easy to intermediate original works and arrangements: "Für Elise", "Moonlight Sonata", "Ode to Joy" and many more, all in one volume!<br />Complete with fingerings and tempo suggestions, this collection with its modern and easy-to-read layout is ideal for both lessons and all those playing piano as a hobby.<br /><br />Instrumentation:<br />piano
The Sonatina in G major (Anh. 5/1) is likely the first encounter with Beethoven's piano music for many aspiring players. Together with the Sonatina WoO 50, the Wiener Urtext Edition is reissuing these introductory piano works.
Instrumentation:
piano
This new edition for the Beethoven year 2020 provides interpretation information and clears the musical text of some unjustified changes from the 20th century. The edition is supplemented by the pedagogically inspiring piece "Lustig und Traurig".
Instrumentation:
piano
WoO 59 and 54
With its tonal language of personal avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, the Mass in C stands independently and set standards for the further development of settings of the Mass in the 19th century. Beethoven wrote "I do not speak gladly of my Mass, or of myself, but I do<br />believe that I have treated the text in a manner in which only few have treated it." Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich.
